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ENGL 302 H24: Advanced Composition
Spring 2007
4:30-7:10 W Robinson Hall B202
|
Pabich
Office Hours: 3:15-4:15 W Sub 1, bottom floor; & by appt.
mpabich@gmu.edu |
Things You’ll Need
- Lunsford, Andrea A. (2005). The Everyday Writer (3rd ed.).
Boston:
Bedford/St. Martin's.
- Covino's Elements of Persuasion?
- Two two-sleeve folders:
one for your response portfolio, and one for
your review project
- Notebook and 3-ring binder for class materials,
writings, and bell
ringer handouts
- Access to a printer for
the online reading assignments (you must
print out all readings)
How do I know what I think until I see what I say?
—E.M. Forster
Overview
Our work in English 302 is to build
on the critical
skills you
developed in English 101, and to better acquaint you with the writings
and rhetorics with which you’ll be dealing in your career.
One emphasis
in
class will be on the
importance of drafting. I say it in every class: nobody gets it
right the first time.
In fact, almost nobody even knows what he or she is writing about,
until they get something down, and can begin figuring out what it
means.
We’ll be talking about our writing, and getting
practice reviewing our peers’ work, as well as examining published
examples of
professional writing. And we’ll be looking at the importance of
persuasion and critical thinking in the composition of an effective
communication, written or oral. People tend to think of reading,
writing, speaking and listening as separate acts. In fact, we argue as
we read, and we listen to ourselves as we argue. As we write, we try to
anticipate our readers’ responses. We are always engaged in some kind
of conversation.
There
is no such thing as good
writing. There is only good rewriting.
—Louis Brandeis
Grading
Grades will be weighted as follows:
| Professional Autobiography |
20% |
| Research Essay |
20% |
| Review Project |
10% |
| Usage/style bell ringer |
5% |
| Response portfolio |
20% |
| Class work/participation |
25% |
|
100% |
You need a grade of 'C' or better to pass Engl 302.
Essays. We have two graded
essays to write this semester: a
professional autobiography and a research essay. The essays are formal
writing assignments that deal with specific issues and questions in
your field. They are to be word-processed, stapled, and formatted in
accordance to the documentation style appropriate to your field (for
many of you, that style is MLA; you need to let me know what style you
will be using).
Response portfolios. Every
week I’ll be providing a prompt to respond
to, in approximately 300 words. Two participants every week will read
their responses, for discussion. I’ll be collecting the gathered
responses in an unannounced fashion throughout the semester, to grade
together, so make sure you bring all
your responses, every class,
numbered and in order. The
gathered responses must be the
originals, including my feedback from earlier hand-ins.
Review project. The review
project is an exercise in summarizing,
interpreting, and critiquing a published article in your field. We will
discuss the specs of the assignment in class.
Usage/style bell-ringers. Most
of our classes will begin with a
five-minute “bell ringer” presentation, dedicated to a specific issue
of usage or composition. It’s a way to review, or get better acquainted
with, some of the basic tools of the writing trade. Each presentation
will include a
handout (with holes for a 3-ring binder), a talk, and some Q&A.
Classroom Policies
Attendance. I cannot
overemphasize the importance of coming
prepared to class. You can’t pass if you don’t show up and
participate. (Also: cell phone conversations please turn your cell
phones to silent for the class.)
Late work. I do not accept
late, or e-mailed, submissions of small
assignments or drafts. Graded essays handed in one class meeting late
will be docked a letter; e.g., an “A-” paper turned in
late will be given a “B-.” I do not accept essays that are more than
one week late. Also, you must first get the OK from me to put essays or
assignments in my mailbox.
Drafting. Drafting is a vital
part of the writing process. You can’t
know what your material is, until you see it in front of you. Both the
autobiography and the research essay will be composed in multiple
drafts. I will not accept a paper unless I’ve seen the earlier work.
The website; e-mail. Our
website:
http://mason.gmu.edu/~mpabich/engl302/index.html . The site will
include announcements, an updated schedule, online readings, and other
resources. Also, I will be using your Mason e-mail addresses for any
correspondence, so check your account regularly.
Plagiarism. Forthwith,
the GMU English Department definition of
plagiarism:
Plagiarism means
using the words, opinions, or factual information from
another person without giving that person credit. Writers give
credit through the use of accepted documentation styles, such as
parenthetical citation, footnotes, or end notes; a simple listing of
books and articles is not sufficient. Plagiarism is the
equivalent of intellectual robbery and cannot be tolerated in an
aca-demic setting.
Student writers are often confused as to what should
be cited.
Some think that only direct quotations need to be credited. While
direct quotations do need citations, so do paraphrases and summaries of
opinions or factual information formerly unknown to the writers or
which the writers did not discover themselves. Exceptions to this
include information that can be obtained from a variety of sources, the
writers’ own insights or findings from their own field research, and
what has been termed common knowledge. What constitutes common
knowledge can sometimes be precarious; what is common knowledge for one
audience may not be so for another…In other words, writers provide a
citation for any piece of information that they think their readers
might want to investigate further. Not only is this attitude
considerate of readers, it will almost certainly ensure that writers
will never be guilty of plagiarism.
To add my two cents: plagiarism, in addition to being wrong, is almost
always easy to spot, especially in a class such as this one, where we
read so much of each other’s writing. Make sure your work is your own.
The Writing Center
In their own words, The Writing Center “seeks
to foster a writing climate on campus and beyond by offering free
writing support to George Mason students, faculty, staff and alumni. No
matter what your writing abilities are, our writing specialists can
help you develop the skills you need to become a successful
writer.” And the service is free!
I strongly encourage all of you to make use of this great
resource. The Writing Center is located at Robinson A114, and is
open Monday to Thursday 9:30 am to 7:30 pm, Friday 9:30 am to 2:30
pm. Call them for an appointment at (703) 993-1200, or e-mail
them at wcenter@gmu.edu. For more information, consult their website: http://www.gmu.edu/departments/writingcenter/wcwelcome.html